A few weeks ago, accusations and charges of fakery in the Opening Ceremony flew in the Western media like hotcakes when it was discovered that two Chinese girls had participated in performance of the “Hymn to the Motherland” in the Opening Ceremony. We had a discussion here a few weeks ago.
Well – a few days ago, it was found out that the Australians also faked – not just one signer – but the entire orchestra! I thought this would make for an entertaining read.
We don’t need to get into the politics again… but I just wanted to follow up in case some of you missed the story…
At the risk of being seen as running an excessive self and cross promotional campaign, I highly recommend all interested readers to check out ESWN’s take on some of the irresponsible media reports in this case, particularly the collection of quotes from various medias, and the latest comment on the “uneven teeth” meme such reports created. Roland is very gracious in claiming only to frame this very post, but I think his “re-framing” does a very effective job in making the point.
I should also point out some subtle but extremely damaging distortions introduced and propagated by the media reports that earned my ire. As reflected by a Chinese blogger on his second posting on this matter after listening to the entire interview of Chen (H/T to ESWN again):
The words of Chen Qigang are used by the media out of context and are distorted. First, Chen did not say that Yang Peiyi was considered not good in appearance. He merely pointed out that Lin Miaoke was considered to have the best image. Second, when Chen talked about national interest, he was claiming that the national interest was served by combining the best stage presence with the best singing voice [to present the best perceived performance]. He did not mean that it was a matter of “national interest” to hide Yang Peiyi from the camera.
Continue reading The cruelest insults come from ones pretending to speak as the righteous
Note: an update is inserted at the end.
The Beijing Olympics opening ceremony was, by most accounts, a brilliantly choreographed and spectacularly executed performance worth of a gold medal of its own. There were a fair number of notable highlights, and many journalists certainly were not shy from exhausting all the synonyms of the word “stunning” in the thesaurus in describing those scenes.
High on many Chinese viewers’ list of the most moving moments, however, is one that might not be easily appreciated by foreign audiences. Early in the process, China’s national flag was brought into the Bird’s Nest and raised while an young girl in a red dress stood singing “Hymn to the Motherland”. This song is perhaps best explained as the equivalent of “God Bless America” and is similarly considered an unofficial national anthem by many. The simple lyric line
歌唱我们亲爱的祖国，从今走向繁荣富强。 “We sing to our beloved motherland, on her way towards prosperity and strength.”
captures the hope and pride of so many Chinese for so long in merely 17 characters.
Continue reading An imperfect perfection