Mainlanders often feel exasperated by constant Western criticism, as if no matter what China does and no matter how much China accomplishes, it’s never good enough in the eyes of Western nations. The poem “Chinese Grievances” (aka “What do you want from us?”) expresses this feeling well. I think what’s shared below will help us better understand this problem.
(I’m sorry if some of this English is a little too academic. In this post, “Big Public Story,” “global narrative,” and “major public story” all mean the same thing.)
Every society, including Mainland China, has a “Big Public Story.” This is how the society describes itself and its place in the world. The author I’m quoting here describes and then critiques the global narrative shared by Western societies, that is, the Big Public Story that modern, liberal, democratic Western nations and peoples use to understand the world and the role of their nations in the world. Although the author isn’t writing with China in mind, I invite you to read the quote below and be thinking about where and how China fits into the West’s understanding of the world. Discovering the roles that China is currently playing in the West’s “Big Public Story” helps explain why the West never seems happy with China. I’ll ask our Chinese readers two questions at the end.
This comes from an award-winning book about conflict and forgiveness called Exclusion & Embrace: A Theological Exploration of Identity, Otherness, and Reconciliation (1996). The author, Dr. Miroslav Volf, is a Croatian writing about the Western understanding of the world in light of the 1990’s Balkan ethnic bloodshed. I’ve quoted from a section titled, “The Dubious Triumph of Inclusion”:
The desire to distance “Europe” — “the West” and “modernity” — from the practice of ethnic cleansing … has as much to do with certain aspects of our philosophy of history as with our moral perception of ourselves. What makes ethnic cleansing seem so “nonmodern” and “nonWestern” is that is it starkly at odds with the major public story we like to tell about the modern democratic West — a story of progressive “inclusion.” Here is a version of such a narrative of modern liberal democracies as described by Alan Wolfe:
Once upon a time, it is said, such societies were ruled by privileged elites. Governing circles were restricted to those of the correct gender, breeding, education, and social exclusiveness. All this changes as a result of those multiple forces usually identified by the term democracy. First the middle classes, then working men, then women, then racial minorities all won not only economic rights but political and social rights as well.
To put it slightly differently, once “hierarchically segmented” societies gave way to what sociologists call “functionally differentiated” societies, inclusion became the general norm: every person must have access to all functions and therefore all persons must have equal access to education, to all available jobs, to political decision-making, and the like. The history of modern democracies is about progressive and ever expanding inclusion, about “taking in rather than … keeping out.” By contrast, stories of ethnic cleansing are about the most brutal forms of exclusion, about driving out rather than taking in. Hence, they strike us and “nonmodern,” “nonEuropean,” nonWestern.”
But how adequate is the modern story of inclusion’s triumph? I pose this question as an insider who wants to help build and improve rather than as an outsider who wants to destroy and completely replace. To a person, such as myself, who experienced “all the blessings” of communist rule, the suggestion that there is no truth to the liberal narrative of inclusion and the claim that its consequences are mainly unfortunate sounds not only unpersuasive but dangerous. Similarly, most women and minorities would not want to give up the rights they now have; and most critics of liberal democracies would rather live in a democracy than in any of the available alternatives. The progress of “inclusion” is one important thing to celebrate about modernity.
Yet, though the narrative of inclusion is in an important sense true, like some magic mirror which gives the beholder’s image an instant face-lift, it was also crafted in part to “make us feel history has a purpose that in some way corresponds with a more positive understanding of human potential,” as Alan Wolfe rightly underlines. but how would the face look if the mirror were to lose its magic? How would the face look in a mirror that was not made by us in order to court out vanity? In the mirrors made in the sweatshops of “submodernity” and held by the exploited and emaciated hand of “the other” a mean streak appears on the face of modernity, acquired through the protracted practice of evil. Those who are conveniently left out of the modern narrative of inclusion because they disturb the integrity of its “happy ending” plot demand a long and gruesome counter-narrative of exclusion.
I see two roles that China currently plays in the West’s global narrative, and both of them make the Western nations and peoples feel very uncomfortable. Within the confines of the Western Big Public Story, (1) China’s presence as an authoritarian state with a hierarchical society directly opposes the Western Story’s ‘happy ending.’ Obviously, this is a bad thing in the eyes of modern, liberal, democratic Western nations; it’s a direct contradiction of highly prized Western values. But, (2) the presence of millions of China’s poor, exploited workers making products for the West exposes a dark sub-plot in the Western Story (what the author calls a “counter-narrative”). This exposes the West’s selfish hypocrisy and makes the West look bad in its own eyes. Either way, China’s presence messes up the happy story that the West wants to tell about itself.
Of course China has its own self-centered global narrative. China also has a Big Public Story, an over-arching narrative that Mainlanders use to understand the world and the place of China and the Chinese people in the world. Much of the conflict between China and the West happens because each culture is working out of a different Story. China interprets the words and actions of foreign nations and foreign peoples according to whatever roles are available to foreigners within China’s Big Public Story. And the West does the same thing to China.
I have two questions for our Chinese readers:
- How does the Western “Big Public Story,” as described here, sound to you? Or, how do you think it would sound to most Mainlanders?
- How would you describe China’s “Big Public Story”? In the big picture, how does China understand its place in the world, and its place in world history up to this point? If China achieved its ‘happy ending,’ what would that look like?
[Contact me for the bibliography references, which I removed here for clarity’s sake. This was adapted from “Where does China fit in the West’s global narrative?” at http://ChinaHopeLive.net]